Sennheiser HD 600 Open Dynamic Hi-Fi Professional Stereo Headphones (Black)

Sennheiser HD 600 Open Dynamic Hi-Fi Professional Stereo Headphones (Black)
by Sennheiser

Sennheiser HD 600 Open Dynamic Hi-Fi Professional Stereo Headphones (Black)
List Price: $519.95
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Digital Photo Product Details

Manufacturer: Sennheiser
Format: CD
Model: HD600
Color: black
Product features:
  • Lightweight aluminum voice coils ensure excellent transient response
  • Neodymium ferrous magnets maintain optimum sensitivity and excellent dynamics
  • Sophisticated design, elegantly finished in black and gray
  • High-quality open metal-mesh earpiece covers
  • Detachable, Kevlar-reinforced oxygen-free-copper cable with very low handling noise
Accessories:

Digital Cameras Photo Reviews of Sennheiser HD 600 Open Dynamic Hi-Fi Professional Stereo Headphones (Black)

Customer Review: Sennheiser HD-600
Summary: 5 Stars

Having been a buyer of Sennheiser products for over 10 years, I feel it is time I endorse a product I truly believe in, and have never been let down by. Including service and customer satisfaction.

Each time buying a Sennheiser product, I found myself stepping up to the next level of their headphones, because they simply keep improving their technology to the point that what you used to own by them gets overwhelmed by the latest headphone they offer. When I bought the HD-600's, I had just come away from years owning the HD-25. When these encountered a technical problem, I replaced them with a backup choice, the HD-25SP's. The difference in sound going 'lower' down their scale of products was just too much to bear. So I bit the bullet and went higher.

Whether you use Sennheiser's merely for pleasure, or for studio work, the accuracy of their sound, and what you get for your money cannot be beat. My HD-600's ran into a small technical glitch (and Sennheiser were extremely helpful in getting this fixed and replaced within 2 days of receipt), and I swear I nearly cried in their absence. HD-600's give you a clear idea of how things were recorded, how good your system is, and what truly sounds inferior. You never listen to things quite the same way again.

The reason my reviews of Paul McCartney and John Lennon albums from the 70's all comment on how inferior the recording quality is (especially compared to the so called ''Economy Class Beatles'' George Harrison's and Ringo Starr's albums from the same decade), is down to what HD-600's reveal. My main source of media tends to be Vinyl, because Compact Discs and DVD's still cannot capture what analogue/turntable equipment captures. Vinyl is simply warmer and more 'round' in comparison to its digital counterparts. And when listening to badly recorded albums, HD-600's make you wonder if you spent more on your headphones than the artist did using a studio. HD-600's are the reason I mention time and time again you are not getting value for money when buying Lennon and McCartney solo albums. Listening to ''Take IT Away'' from 1982's Tug Of War reveals an annoying tape hiss coming from the left side of the stereofield. Which sounds much like someone forgot to 'silence' a track that had a recording on it, before the instrument actually showed up in the song. It sounds totally like electrical / amp noise coming from equipment, and Geoff Emerick or George Martin just simply forgot to keep this track silent until the instrument that occupied that track appeared in the song.

It gets much worse than 'Take It Away' on Paul McCartney albums, and even more painfully so on John Lennon albums. But listening pleasure can be found recording wise on their solo albums BACK TO THE EGG, RAM, DOUBLE FANTASY, MILK AND HONEY, and some portions of BAND ON THE RUN, and WALLS AND BRIDGES. #9 Dream is simply a gorgeous recording, it's just too bad the rest of the album doesn't sound as good as that one song.

When you listen to your CD's, vinyl, DVD's in whatever room of your house your speakers are, the room dictates what you hear, no matter what you've spent on speakers, power amps, woofers, sub-dividers, etc. Whether you have wall to wall carpeting, high ceilings, low ceilings, plaster or cement, wood floors, a more long than wide room, it all affects how sound reaches your ear. Which is why on a great set of headphones, you are more likely to hear HOW those sounds were meant to be heard, how they were recorded, and how much time was spent doing it. On speakers, McCartney's JET sounds quite full, though the snare is a little thin. But when hearing the album with HD-600's, the drums nearly become non-existent, and all the inconsistencies of the recording become so apparent, you wonder if the mix was sabotaged by someone. McCartney on drums is not a miracle, especially when you hear many of the mistakes being made by someone not as confident on that instrument as they are on Bass.

Can I review anything without bringing up Lennon and McCartney? Quite possibly Dog Food. But so far, they come up pretty regularly. Makes you wonder if I'm trying to prove a point doesn't it.

Albums that are phenomenally recorded get due justice with Sennhesier HD-600's. They truly do. Some noteworthy recordings from the 70's and 80's when recording technology (for popular music) was just beginning to reach new highs, that are all HD-600 friendly:

Isao Tomita's The Firebird (1976)
George Harrison's eponymous album (1979)
Steely Dan's Gaucho (1980)
Joe Walsh's The Smoker You Drink, The Player You Get (1973)
10CC's The Original Soundtrack (1975)
Godley & Creme's Consequences (1977)
Supertramp's Crime of the Century (1974)
XTC's Black Sea (1980)
Peter Gabriel's 3rd album (1980)
Kate Bush's The Dreaming (1982)
Earth Wind and Fire's All 'n' All (1977)
Level 42's The Pursuit of Accidents (1982)
Billy Cobham's Spectrum (1972)
Frank Zappa's One Size Fits All (1975)
Ringo Starr's Goodnight Vienna (1974)

and a truly incredible sounding album from the 90's, Prince and The New Power Generation's ''Symbol'' album from 1992.

Albums NOT HD-600 friendly:
Todd Rundgren's Hermit of Mink Hollow (1978)
Blue Oyster Cult's Agents of Fortune (1976)
Paul McCartney's Venus and Mars (1975 - and quite a few others)
John Lennon's Imagine (1971 - and avoid 1970's Instant Karma like the plague, the piano track will hurt you . . )
Yes's Fragile (often the guitars and keyboards hit frequencies that cause a lot of crackling and clipping)

and surprisingly enough, many remasters of albums once on vinyl or antiquated CD reveal the errors of fixing something that ain't broken.


If you have to save up for a pair, or do some heavy searching for HD-600's that are affordable, do so. In over 10 years I have never been disappointed by anything Sennheiser distributed, especially when I kept up with their pace.


Description of Sennheiser HD 600 Open Dynamic Hi-Fi Professional Stereo Headphones (Black)

Sennheiser seals its reputation as the classiest name in headphones with the stunning HD600, a stylish and high-tech headphone that's exquisitely pleasing to listen to and nearly as pleasing to wear. A near-perfect mating of art and science, the HD600 uses an open, over-ear design to eliminate unwanted resonances and optimally position its large, dynamic drivers just outside your ears-so they work more like miniature speakers than traditional in-ear or against-ear drivers.
Sennheiser seals its reputation as the classiest name in headphones with the stunning HD600, a stylish and high-tech headphone that's exquisitely pleasing to listen to and nearly as pleasing to wear. A near-perfect mating of art and science, the HD600 uses an open, over-ear design to eliminate unwanted resonances and optimally position its large, dynamic drivers just outside your ears--so they work more like miniature speakers than traditional in-ear or against-ear drivers.

Granted, all this comes at a pretty hefty price for a headphone. But the lightweight HD600 represents one hefty value. It so far outshines other headphones in sound quality, build quality, and comfort that despite its price it's still a strong value.

Of course, with a headphone like this and a name like Sennheiser, it's the sound you're really after. With stand-alone loudspeakers, the goal is generally to provide balanced sound across as much of the audible sound spectrum as possible (roughly 20 to 20,000 Hz). High-frequency reproduction is easier than low, simply because low-frequency reproduction requires a speaker to move so much air. Speakers capable of rendering deep bass usually use large speaker cones--8 inches or more in diameter--to help move the necessary volume of air.

Headphones, of course, are restricted in the sizes of the drivers they can use. Being so much closer to your ears, the amount of air they need to move to convey bass frequencies is much smaller, but still a challenge for what are basically tiny speaker cones. And anyone who's listened to a lot of headphones can tell you, there's almost always a tradeoff in what a headphone driver is capable of. Some produce balanced overall sound with little in the way of bass; others aim for bass at the expense of natural-sounding midrange and coloration-free treble.

The Sennheiser HD600, we're here to tell you, manages--through its extremely high-grade parts and exquisite engineering--to bring home truly full-range sound with remarkable timbral balance. Rich, deep, effortless bass grounds the listening experience while the headphone's airy midrange and treble help render everything from acoustic bass to soprano saxophone and electric guitars with a haunting degree of realism.

The HD600 doesn't offer the lush midrange favored by tube-amplifier enthusiasts--tube fans may find the headphone somewhat bright and maybe even strident in tone. But the rest of us will revel in the expanse of crystalline detail and snare-snappy dynamics.

The exceptionally natural quality of the HD600's overall sound bears reiteration, since so many headphones with "fat" or even "slamming" bass response deliver the low-end goods with a degree of emphasis that, while pleasing to bass aficionados, grossly distorts the frequency balance, limiting the range of music and recordings that will sound good on those headphones.

How does Sennheiser do it? Through computer-optimized magnets--critical to driver operation--that minimize harmonic and intermodulation distortion, granting the HD600 its uncanny clarity and spaciousness. Furthermore, the headphone's advanced diaphragm design eliminates standing waves in the diaphragm material, preventing unwanted emphasis at otherwise resonant frequencies.

As good as this headphone is, however, we don't recommend it to those seeking a stellar headphone for portable use. While this unit is capable of amazing sound, its best performance requires more amplifier power than most portable devices can muster. The HD600 owes its strength in part to its large drivers, which just can't be moved as easily as those in smaller headphones.

Furthermore, the HD600's open-ear design means that sounds pass easily into and out of these headphones, which would in all likelihood prove irritating to you and to those around you in libraries, on buses, and even at the office. These are only our suggestions, however; the fact is your MP3s will probably never sound better than when you're playing them over this headset.

We'll just leave you with one last suggestion, then: if you're after the best-sounding, most comfortable audiophile headphones you can buy at anything resembling a real-world price, look no further than Sennheiser's HD600. --Michael Mikesell

Pros:

  • Natural timbral balance
  • Extremely detailed presentation
  • Excellent bass extension
  • Produces a spacious, wider-than-your-head soundstage
  • Terrifically comfortable

Cons:

  • Slightly bright treble for some tastes

The HD600 is an audiophile-quality, open-dynamic, hi-fi/professional stereo headphone with an advanced diaphragm design to eliminate standing waves in the diaphragm material. The HD600 can be connected directly to hi-fi systems of the highest quality, particularly DAT, DCC, and CD players. This headphone is an ideal choice for the professional recording engineer.

Features of the HD600 include a sophisticated design, elegantly finished in black and gray with high-quality open metal-mesh earpiece covers for an extremely transparent sound. Computer-optimized magnet systems minimize harmonic and intermodulation distortion, while extremely lightweight aluminum voice coils ensure excellent transient response. Neodymium ferrous magnet systems ensure optimum sensitivity and an excellent dynamic response. The result is an exceptionally natural, spatial, and accurate sound.

The HD600 comes with a 3-meter detachable, dual-sided oxygen-free copper cable with very low handling noise, and a 0.125-inch stereo minijack plug with a 0.25-inch stereo jack plug adapter.

Sennheiser headphones come with a two-year warranty on parts and labor.

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